Showing posts with label Wyoming. Show all posts
Showing posts with label Wyoming. Show all posts

Friday, January 22, 2016

A Photo Story Board: The House That Bud Built

When Bud and I moved to Dubois, Wyoming in 1995 Bud crossed one more item off his bucket list—he began designing and building a house (mostly) by himself.


We should have written a story about it, but we lived the experience instead. Here are just a few photographs of the dream home we named, Ten Forward (our living space) and Moonstrike Gallery and Studios (our creative/work space).



Leaving North Carolina



May 2, 1995 First step: Finding land with a view


May 14 Digging a well 


Framing June 25


And more framing June 25


Then the roof June 30


June 30 Bud had already built raised beds outside our living room windows so I could plant bulbs for spring!



Same raised beds...one year later


June 30 Our view


August 4 finishing the roof


August 27 Almost done—outside anyway!


September 20 Can't stop for snow!


 September 24 Bud put up the drywall & I did most of the mudding...but not all in one day


 September 30 Staining the wood floors 


October 5 Building the stairs


The royal couple descending the stairs for the first time


November 16 The last soffit (left)


Nov 18 Cabnits for the studio


 Nov 20 A few windows


December 1 Finished enough to move in!


Dining room on left, kitchen center, living room where the tile starts


Living Room


Kitchen


Sunroom



Moonstrike Gallery: paintings, sculpture, jewelry, and dolls


My creative space where I made dolls and wrote children's books to accompany them.



June 1996 Enjoying the fruits of our labor on our upstairs deck with our king cat, Hisha.

Thursday, December 4, 2014

Out West


It’s not so strange that living in a new place can affected our imaginations. Several years ago my husband, Bud, and I moved out west. From Kansas to California we visited many historical sites and wondered especially how the women and children sufficed the sometimes desperate conditions of the frontier. Since most of the stories were about men, we began scrutinizing the journals and letters by women and children from the 1840s to the 1880s. The French Lady’s Cowboys and Auspicious Dreams were spawned by many of these true stories.


In Auspicious Dreams, Sarah Margaret Lovelace wore her father’s trousers, held up by a blue satin ribbon to do farm work in Sacramento in 1845—ten years before Angèle Morisot disguised herself as a boy to escape a ruined life in France to join America’s Great Western Migration.


In 1848 Sarah Margaret’s older sister condemns the frontier life she’d escaped from by asking Sarah Margaret, “Whatever do you know about happiness?”
Sarah Margaret quickly admonishes her. “Look at this place. We have been here almost three years and there is nothing I cannot do on this farm. I cleared the land, planted it, irrigated it, cultivated, and protected it. I can cut and stack hay, fall trees, skid logs, and build fences. I can raise chickens, pigs, goats, and cows. Papa taught me to set and tend traps. Mama and I put up jars of pickles, tomatoes, beets, onions, catsup, and jam. I can roast venison on a spit and dress a roast to befit the finest celebration. And when all the work is done, I feel great satisfaction and delight to roll in a field of flowers, or take a ride up to the hills and canyons of the Sierras. So don’t try and tell me about happiness!”


In The French Lady’s Cowboys, Angèle Morisot’s life wasn’t as easy as Sarah Margaret’s. In 1862 Angèle’s sister-in-law asks if she’s strong enough to join Angèle and her husband, Tom, in Nebraska Territory.
Angèle responds, “I can’t answer that. I had no idea I could be who I am now. A year-and-a-half ago, I couldn’t fight off a soft, French gentleman. Six months later, I drove a remuda across the plains, killed seven Indians, and did most of the work to finish driving the cattle and horses to the ranch. I’ve learned to rope, castrate, and brand cattle, deliver calves...and I love it and all the men I’ve been working with. Most of all I’m free of oppression by men, even if the day might come that I have to use my guns to defend myself. I’m as free as any man, and Tom likes me that way.”


These strong women helped win the West as much as the 1873 Winchester rifle did. But don’t be fooled by these courageous young women who took on “mens” work to survive. They were proud and happy with their lives. They loved their men and their men stood beside them, encouraged them, and together chased their dreams in the Promised Land.


Auspicious Dreams and The French Lady’s Cowboys are revised editions of the stories written during the time Bud and I lived out our own western dream in Wyoming and California—one hundred and fifty years after Sarah Margaret Lovelace first stepped foot on the Oregon Trail and one hundred and thirty-four years after Angèle Morisot boarded a vessel in France to sail into a new life in America.



Both books have been published in paperback for the first time. (And just might make a great gift set for the upcoming holidays.) They are also available as E-books. Look us up on Amazon and take a step back into history. 

Friday, June 27, 2014

Barely A Pot To Piss In: Eugenia Burney Christensen

Eugenia woke up every morning with a great desire to live joyfully.* At least that’s the impression she conveyed to me. 

I met Eugenia Burney Christensen (1913-2012) on her 83rd birthday, July 4, 1996 in the tiny mountain town of Dubois, Wyoming. Much of her life had passed but she wasn’t one bit ready to slow down.

On the day we met, a local artist/tanner had dressed Eugenia in buffalo hides and a long black wig with a bone tied to her head and situated her on one of the home-made floats for the town’s Fourth of July parade. She waved gaily and laughed until tears streamed her cheeks.  “It was a hoot,” Eugenia told us later that day. A phrase I would hear for years to come. To say Eugenia enjoyed life is an understatement. She was always happy even when she barely had a pot to piss in.

We didn’t know about Eugenia’s illustrious past but we got a glimpse when we had to side-step through a tiny subsidized apartment overfilled with antique furniture, paintings, sculptures, books, a stack of papers, and a typewriter balancing on an ottoman. Eugenia was a writer and we could already tell just how enthusiastic she was about it. We were immediately drawn to her as she graciously both welcomed and accepted us. We toasted our budding friendship with cheap champagne in Dollar Store glass flutes. 
   
Eugenia was born in South Carolina and even though she lived in Idaho, New York, Wyoming, and California she never lost her refined Southern accent. Perhaps that’s what drew her to me—I’d been raised in the south and that great accent offered me a bit of Southern hospitality that I’d found missing in Dubois. She pulled Bud and me into her life and we spent the next ten years captivated by the wondrous tales of her past. She had to be a writer because she was a fascinating storyteller.

Together with her husband Gardell Dano Christensen (1907-1991), Eugenia published several books in the 60s and 70s including Colonial South Carolina in 1969. 


Gardell was an artist as well as a writer. After working at the American Museum of Natural History in NYC for seven years (in the 50s), he was asked to represent the museum on expeditions to Africa and Alaska to collect animals for building dioramas in the museum to “tell the world of faraway places”.  



Gardell set out to fulfill his dreams and spent a lifetime living them. A former student, Nan (Morgan) Smith, said, “Over the years the Christensens continually invited friends and pupils into their home and into their hearts. Together they made the people and places around them sing with the beauty of art.”

It seems that everyone who knew Eugenia and Gardell knew an endearing story about them. A local plumber told us that when they first moved to Dubois, Gardell bought a plot of land and built a house mostly with materials he’d scavenged from the landfill. Sometime after they’d moved in the plumbing went haywire. When the plumber arrived on a rainy morning, he found Gardell and Eugenia sitting at the table eating cereal while the rain dripped on them through holes in the roof. That was their life. It was a good life even when the roof leaked. 

Eugenia often boasted that she’d written more books in her retirement than in her career which included an editorial position at one of the big five New York publishing companies. Most of her later writings were biographies of colorful and influential people who shared their life stories as she typed and edited. The most notable being Fremont Miller, a WWII war hero (who had spent 76 hours in the frigid North Sea after his P-47 Thunderbolt caught fire over Diepholz, West Germany) and a retired legislator of the Wyoming House of Representatives. Together they published, Growing Up With Wyoming, a fascinating story of a man who loved Wyoming. 


Eugenia is listed in the World Who’s Who of Women. No wonder. She was as comfortable mingling with dignitaries as she was with cowboys.

The next fall Eugenia convinced a local outfitter to photograph her upon a horse for her Christmas cards. She wanted to show her family and friends that she lived in cowboy country. The outfitter had to have been very brave and must have had an old calm horse to be talked into posing an eighty-five-year-old unsteady woman horseback. But he did and it was, yes, a hoot!


Bud and I moved to Eureka, California in 1997 and the next year Eugenia followed because she had gotten tired of the small town that rolled up the sidewalks at nine p.m. Eureka had a few bright lights, but I honestly think she longed for not only the bright lights but big city as well. She applied to a five story senior assisted living complex and could have moved in that same day but she wanted a room on the top floor! What she lacked financially she made up for grandly. After all, the top floor was the best and Eugenia wanted nothing less.

Eugenia dreamed big, just like Gardell had. Every single time she saw a convertible she’d stop and stare. “Oh, I want one of those,” she’d say dreamily, “except I want a red one!”

In early December 2002, when Eugenia was 89 and frail she called Bud and asked if he’d photograph her on the beach at sunset for her next Christmas Card. She wanted her friends to know that she’s moved back to California. “I have an old bathing suit that I still look pretty good in,” she said. On the next sunny day we headed to Samoa Beach even though the temperature measured just 45 degrees. The sunset was glorious…just as Eugenia had ordered and Bud shot photos until the sun gloriously sank into the  ink-blue ocean. Unfortunately the camera didn’t cooperate and the shoot failed to give us even one acceptable shot. If Eugenia was upset, it didn’t show. We fixed the problem and headed back to the beach several days later. This time the temperature measured in the 30s and while we waited for the sun and sky to burst into orange, peach, and lavender, I wrapped Eugenia in warm blankets. This time the sun and sky refused to cooperate. Instead of setting like a big red ball the sun turned completely white before sinking into a bank of gray clouds. I wanted to cry when I saw the photos. But Eugenia, always positive, was thrilled beyond measure.


She was always thrilled beyond measure…even when she went through cancer and surgery and especially when she decided to move to Santa Rosa for even brighter lights and bigger city.

The last Christmas card we received before she died had been taken in her brand new red convertible…a mobility scooter. And she had a smile on her face.


We miss her terribly, our wonderful friend of ten years. Eugenia taught us that we didn’t have to be wealthy to be rich and she showed us how to live joyfully every day of our lives.



*From a quote by Alexandra Stoddard